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MOVIES: TALE OF AN UNBELIEVABLE FILM

The film failed to receive the expected response from the audience at the time of release. But slowly audiences and critics began to appreciate...

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ALTERNATIVE ENTERTAINMENT: MUSIC OF THOUGHT AND IMAGINATION

It is Kumar Shahani's Khayal Gatha (The Saga of Khayal), a 1989 Indian experimental film written and directed by Kumar Shahani, that O....

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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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BUSINESS: SPEAK MEMORY!

Monojit Lahiri dumps Bollywood and flashbacks into his life and times in the world of advertising.

THE COURAGE AND CONVICTION OF SAIF HYDER HASAN

After seeing the film YES PAPA, story of a victim of child sexual abuse at the hands of her father, Vinta Nanda has a conversa...

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FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?

Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...

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2023: NOT SO MANY REASONS TO CELEBRATE!

 

In her final column of 2023, Humra Quraishi looks back at the year for events we s...

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DILIP KUMAR AT 101

Physically Dilip Kumar lived for 99 years (11th December 1922 to 7th July 2021). But like a loved and revered ancestor he...

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A CHAPTER ON KUMAR SHAHANI’S KASBA

Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...

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SOME LIKE IT CHILLED!!

Why? What is it about ghosts, paranormal and horror tales that is so seductive, enticing and thrillingly scary? What is behind our fascination ...

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